Interview with Author, E. Joyce Moore
THE ROCK:
Who is E. Joyce, tell us something about you?
E. Joyce: I am an eclectic composite. I
am highly creative, very resourceful and strategically driven. I tell
corny jokes much to the chagrin of my family and friends. I often take
the path less chosen, but not necessarily by intention.
THE ROCK:
Where are you from, and currently residing?
E. Joyce: I grew up in Indianapolis, Indiana.
I moved to Chicago, then the East coast for over twenty years. I now
reside in Indiana.
THE ROCK:
Are there any other writers in the family?
E. Joyce: There are some that have the
potential but not the desire. I have a nephew who writes music. He's
quite good. Actually, my mother writes. She had started a book before
my Grandmother died. I'm not sure what happened to it or if she will
start again.
THE ROCK:
When did you start writing?
E. Joyce: I have been writing since I could
remember. I was an avid reader as a child, with a creative imagination.
I could create such fascinating stories in my head as a child.
THE ROCK:
What prepared you to become an author?
E. Joyce: I wrote quite a bit while in
the corporate world, for business as well as for pleasure. I have lived
such a diverse life and have had the unique experiences in observing
many different kinds of people from so many walks of life. Those life
experiences are what I began to draw on to nourish my writing.
THE ROCK:
What inspired you to become a writer?
E. Joyce: I have the same passion for writing
as I do for visual art. I have a creative spirit, I suppose. I like
developing ideas on paper, finding the right words to paint on a literary
canvas. I love it when I get responses from people who are inspired,
enlightened, even amused by what I write. I also love doing interviews.
My goal is usually to get past the surface and uncover the real person.
I learn something every time I write. Because I research my "theories"
I can find out more, learn more than I imagined. Even with my first
script: I didn't know how to write one so I researched and taught myself.
If you aren't learning while you are creating, whether it's writing
or visual art, your work becomes stagnant. Writing should be something
that is in constant growth and change.
THE ROCK:
What inspired you to write your book?
E. Joyce: I had many essays I had written
as a result of my column "From the Stoop." I had been asked
and always said I was going to write a book. When the opportunity came,
I did. I didn't know then that writing is only five percent of the whole
publishing process.
THE ROCK:
Tell us about your newest creation. What is the premise?
E. Joyce: Newest creation. Actually I can't
tell you about it. I just completed a ghostwriting project that I am
very proud of. I did start my BLOG this past January, where I create
thoughts that I can later use for an essay or other article.
THE ROCK:
Any publishing contracts in the working?
E. Joyce: Actually, I am going to be writing
for a new magazine. I just discussed my initial assignments and concepts
with the editor yesterday.
THE ROCK:
Have you ever self-published? Why or why not?
E. Joyce: Actually, "Gettin to the
Good Wood" is self-published. I learned a lot from self publishing;
a story within itself. I learned a lot about hiring editors too. There
are a lot of people out there who want to be writers. Most do not have
any conception about how tough it is to be in the writing business.
They have a romantic concept of becoming a Terry McMillan - who self-published
at first -- and laughing all the way to the bank. That is not the reality.
THE ROCK:
What are "traditional publishers" looking for?
E. Joyce: They are looking for the potential
best seller. Today it seems that there is less interest in good writing
and more interest in whatever will sell. I still remember a conversation
I had with a vice president of a particular publishing house some time
ago. His only interest was finding books where the black man was just
coming out of prison and the women were stereotypically victims. I think
that they call it "street lit" today. Or they are looking
for the people who found their 15 minutes of fame, whether they were
worthy of it or not. I think that the worst example of this is Monica
Lewinsky; I was in a bookstore -- major chain -- and there were stacks
of her book on the counter. They were going back to the publisher because
nobody was buying.
THE ROCK:
If you were a publisher, what would be your niche? Why?
E. Joyce: If I were a publisher, I would
love doing mystery novels and nonfiction. I love both. Finding good
writers who knows how to take a reader for a great ride would be such
a rush.
THE ROCK:
For an author, is having a publishing contract with a "traditional
publisher" important professionally? Why?
E. Joyce: It depends on the writer's objective.
Realistically, traditional publishing gives you a measure of credibility
as a writer, but the relationship has changed significantly over the
past ten years, I'd say. The writer still has to do a lot of the same
work to market and promote the book as someone self-published would,
yet may not get any more that the original advance, In fact most writers
shouldn't expect a lot more than the advance. You may even have to bring
your own punch and cookies to your book signings.
THE ROCK: What are some of your professional
and personal achievements?
E. Joyce: I accomplished some great stuff
while in the corporate world, too much to mention, but I always will
feel that my greatest accomplishments there were to help others, motivate
others to do and become better. The most fun and greatest frustration
was developing an account through my relationship with it as a professional
and a person from $0 to $43 million in revenue in just five years. The
other is writing my first book -- it's like having your first baby --
being a founder of an organization that was an advocate for and educated
about artists of color and African descent. But one of my greatest achievements
was raising my niece from age thirteen and having her graduate from
college. She works for a major corporation now and is doing wonderfully
as she moves up the managerial ranks.
THE ROCK:
Who are some of your favorite authors?
E. Joyce: Besides myself? (LOL) Sue Grafton,
John Grisham, Maya Angelou, Torrance Stephens, Halima Taha, Walter Mosley
(except for Blue Light: what was he on, anyway?), James Patterson. I
would love to love Toni Morisson's work, but find it to be a hard read.
I am a great fan of poets Glynis Boyd, Chase von, Tupac and Mos Def.
THE ROCK:
Where do you want to be in 5 years?
E. Joyce: In five years I want to have
produced a very successful television series and begun a couple more
television projects. My wildest dream is to have a National Black Fine
Arts Center in the Midwest, that is large enough and grand enough to
hold some of the greatest exhibitions and events ever, housing all the
arts: visual, literary, performance, music, dance. A place (designed
by young and brilliant architect Justin Moore -- not related) where
the masters teach the young of all ages and races.
THE ROCK:
Where can readers find you?
E. Joyce: www.blackboardjournal.braveblog.com,
www.goodwood.bravehost.com
, in this month's e-zine of www.serene-light.org
I will announce via press release my upcoming writings.
THE ROCK:
Thank you, E. Joyce.
NOW AVAILABLE
VISIT
www.goodwood.bravehost.com
For more about “Gettin’ to the Good Wood”
By Mail:
Mail check or money order for $22. (includes $2. shipping)
To: E. J. Moore, P.O. Box 88403, Indianapolis, IN 46208
GETTIN' TO THE
GOOD WOOD
Synopsis
Stuck…again. Hurt...again. Played…again. Ignored…again.
Powerless…again. "Nice guys always finish last."
Does it always have to be this way? Or can I change my destiny,
the path I am following, in this journey we call life?
Gettin' to the
Good Wood is both literal and figurative in its meaning. This
book is a colorful collage of essays, and poetry about life and
relationships. The book is about us and for us as men, as women,
as teenagers, as corporations, associations -- it's about being
human and being better at it. We cannot change the past and life
is too short to hold on to its pain. We can only control how much
power we allow it to have over our future.
Gettin' to the
Good Wood is straightforward and candid in its message, yet is
laced with the dry wit and sense of humor that is characteristic
of its author. This book starts and ends with the only one over
whom we each have the power to change -- ourselves. In between
are discussions about our relationships with God, male-female
relationships, how we relate to sex and the role of sex in our
lives today. Men have a rare opportunity to have their say; to
have their thoughts reflected through the eyes of the author.
Secrets are revealed about what men really want from women and
what women really need from men. It takes us on a journey to Oz,
up the corporate ladder and back into the home where families
develop the experiences that they bring to the table of living
life. It also includes perspectives on race in America -- such
as the dis-relationship of African Americans and the essays by
Dr. Robert Jensen on White privilege.
Gettin' to the
Good Wood is filled with true life experiences that bring home
the messages the book delivers. Gettin' to the Good Wood is an
easy, entertaining, and insightful read filled with thoughts to
ponder by the young, the not-that-old, and the not-so-young of
all sexes, races, cultures, and beliefs.
Category: Non-Fiction
Subject: Human Relationships
Content: Essays, Poetry
Number of Pages: 340
TABLE OF CONTENTS
Foreword
Section One: Your Relationship With You
Starting At Square One -- You
The Color of My Pain
Know Thyself
Loneliness
Change
Our Junk Drawer
Consciousness, Connectedness, Relatedness
Wizard of Oz
Whole Person Concept
Section Two: Relationships and God
God and Me
Should I Date or Pray and Wait?
Teens and Dating
Section Three: Male/Female Relationships
The Fun Part: Men and Women
We Don't Understand Men
One Man's Story
Lessons Learned
Facets of Humans -- The Dark Side
The Superman Syndrome
Do You Really Know What Love Is?
Are You the One?
And Now…Let's Talk About Sex
The Next Big Step: Marriage Versus Cohabitation
Marriage: The Turning Point in The Relationship Process
Section Four: Other Relationships
Relationships with Children
Older Parents, Adult Children
A View of Corporate Relationships
African American Dis-Relatonship
The Reality of our Mentality
Are You in the Back, On the Left?
A White Man's View
Diversity
The Seduction of Power
Perspective
Book Reviews
Indianapolis Recorder October 10, 2003
“An easy-to-read, and non-pretentious style….simultaneously
colorful and insightful.”
E-Mail Feedback
“I find your writing timely and profoundly important.”
Charles Grimmett, Birmingham, AL
“The portion that I read
is great. I especially love your poetry, it gets down to the heart
of what you are speaking of. The front cover as well, really captures
the essence of what you are getting at.”
DemetrieBroxton, Berkeley, CA
“This was extremely well
written. The sample pages only made me want to read more…The
author should be proud of this unique approach to viewing the
world and I hope others take the time to review her work.”
Carol White, Indianapolis, IN
E. JOYCE MOORE
BIO
A self-taught
artist, E. Joyce Moore, whose artistic name is JEMI, has had a
passion for art from childhood. Her first choice as a career
was in the field of fashion design. She continued to pursue
that dream, majoring in Home Economics while attending Ambassador
University in Texas. "I didn't take a single cooking class.
I attended both Ambassador and Kilgore College concurrently and
full-time, so that I could take courses in Fashion Merchandising
and still get my degree. Although I took twenty-four hours
a semester, I had fun because I had a passion for what I was pursuing."
After college, her road toward design took a detour, as family
responsibilities took priority. Joyce attended Northwestern
University in the evenings, pursuing a Master of Arts degree in
Advertising, but decided that it would not fulfill her creative
goals. She spent her business career with AT&T in various
positions from diversity workshop facilitator to national account
manager. In 1998, she founded a grassroots organization
to support the education of and about artists of color and African
descent, Alliance of African American Artists Foundation,
Inc.,
Joyce also exhibits
her creative talents in another medium: writing. She is
a poet and a freelance writer of numerous articles that have been
published by Black Suburban Journal newspaper, American Vision
magazine, and Newslink, a professional development publication,
including an on-going column "From the Stoop" that she
is working to self-syndicate. Her writing experiences include
interviews of public figures such as Kwesi Mfume, Ed Gordon, and
Slide Hampton and the Hampton family. She has published
her first non-fiction book, “Gettin’ to the
Good Wood” and completed her first collection of poetry
“ She Also Rises.” She is a contributor to Chicken
Soup for the African American Soul -- currently number three
on the February bestseller list of non-fiction in Essence magazine.
She is a freelance writer for a number of online publications.
Joyce is also a ghost writer of both fiction and non-fiction.
She has just completed her first ghostwriting project. A community
activist, she has been to Cincinnati a number of times in support
of education through the arts in the community. Joyce has several
television concepts she is currently developing. She expresses
her thoughts on www.blackboardjournal.braveblog.com.
She has also
expressed her creativity on film, directing a cable television
show in Indiana back in 1984, creating an infomercial of AT&T
products in 1988 and producing a video introducing various emerging
artists for the 2000 National Black Fine Arts Show.
She can be reached for presentations, lectures and panel discussions
via e-mail at jemiltd@aol.com. |
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